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A Theory of Parody: The Teachings of Twentieth-Century Art Forms book

A Theory of Parody: The Teachings of Twentieth-Century Art Forms. Linda Hutcheon

A Theory of Parody: The Teachings of Twentieth-Century Art Forms


A.Theory.of.Parody.The.Teachings.of.Twentieth.Century.Art.Forms.pdf
ISBN: 9780252069383 | 168 pages | 5 Mb


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A Theory of Parody: The Teachings of Twentieth-Century Art Forms Linda Hutcheon
Publisher: University of Illinois Press



Oct 11, 2013 - A Theory of Parody: The Teaching of Twentieth-Century Art Forms. A Theory of Parody: The Teachings of Twentieth-Century Art Forms. Aug 9, 2011 - Linda Hutcheon, A Theory of Parody: The Teachings of Twentieth-Century Art Forms (New York: Methuen, 1985) p. Mar 25, 2014 - Hutcheon, L (1985) “A Theory of Parody: The Teachings of Twentieth Century Art Forms” United States of America: University of Illinois Press pp. Urbana and Chicago: University of Illinois Press, 1985. Oct 3, 2009 - Thus, jazz has historically been an art form that, despite—or perhaps because of—the fact that all of its originators and major figures have been African Americans, reveals a dynamic if often contested or denied interface between whiteness and blackness. May 9, 2013 - [5] Jorge Luis Borges is considered to be the creator of the first original parody work of art with his short story “Pierre Menard, Author of the Quixote. May 18, 2008 - Hutcheon, Linda. To be sure, if jazz is indeed something of an enclave, a greater cultural A Theory of Parody: The Teachings of Twentieth-Century Art Forms. Coleridge's contributions to the Omniana in The Collected Coleridge: Shorter Works and Fragments, ed. €�A New Introduction, an Old Concern.” Preface to 2000 Edition of A Theory of Parody: The Teachings of Twentieth-Century Art Forms.




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